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The Winter's Tale (Folger Shakespeare Library), by William Shakespeare
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The Winter’s Tale, one of Shakespeare’s very late plays, is filled with improbabilities. Before the conclusion, one character comments that what we are about to see, “Were it but told you, should be hooted at / Like an old tale.”
It includes murderous passions, man-eating bears, princes and princesses in disguise, death by drowning and by grief, oracles, betrayal, and unexpected joy. Yet the play, which draws much of its power from Greek myth, is grounded in the everyday.
A “winter’s tale” is one told or read on a long winter’s night. Paradoxically, this winter’s tale is ideally seen rather than read—though the imagination can transform words into vivid action. Its shift from tragedy to comedy, disguises, and startling exits and transformations seem addressed to theater audiences.
The authoritative edition of The Winter’s Tale from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play’s famous lines and phrases
-An introduction to reading Shakespeare’s language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books
-An annotated guide to further reading
Essay by Stephen Orgel
The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
- Sales Rank: #255386 in eBooks
- Published on: 2016-03-15
- Released on: 2016-03-15
- Format: Kindle eBook
Review
"Aimed at a more scholarly audience, the New Cambridge Shakespeare produces superb editions that rank with the Arden and the Oxford as the best in the business. This year's The Winter's Tale is no exception. Edited by the late Susan Snyder and Deborah T. Curren-Aquino, this edition has a lucid and intelligent introduction that covers all of the crucial elements of this complicated late play: genre; Leontes' jealousy; the bear; Time; act V and the ending. There is also a fascinating discussion of the revision theory-Forman did not mention the statue scene in his 1611 account of the play, after all-but the edition decides against the theory, in spite of Snyder's having made the most eloquent case for it in 2002. There is a very useful discussion of sources, the notes to the play are exemplary, and the Selected Reading list is both excellent and up-to-date. Although the appendix concentrates on performance issues (Forman's notes on the play, doubling possibilities, key staging choices, a performance chronology), the edition is notable for its blend of textual and performance discussions. Especially effective is the decision to match photographs of the play in performance with the thematic issues under discussion. The visual variations on the statue scene are especially welcome and will be a boon in the classroom. Finally, although it has become fashionable in recent years for critics, editors, and directors to darken the ending, this edition opts for ambiguity rather than pessimism and seems truer to The Winter's Tale's hybrid, tragicomic spirit as a result."
-Studies in English Literature, Spring 2008
Review
"Aimed at a more scholarly audience, the New Cambridge Shakespeare produces superb editions that rank with the Arden and the Oxford as the best in the business. This year's The Winter's Tale is no exception. Edited by the late Susan Snyder and Deborah T. Curren-Aquino, this edition has a lucid and intelligent introduction that covers all of the crucial elements of this complicated late play: genre; Leontes' jealousy; the bear; Time; act V and the ending. There is also a fascinating discussion of the revision theory-Forman did not mention the statue scene in his 1611 account of the play, after all-but the edition decides against the theory, in spite of Snyder's having made the most eloquent case for it in 2002. There is a very useful discussion of sources, the notes to the play are exemplary, and the Selected Reading list is both excellent and up-to-date. Although the appendix concentrates on performance issues (Forman's notes on the play, doubling possibilities, key staging choices, a performance chronology), the edition is notable for its blend of textual and performance discussions. Especially effective is the decision to match photographs of the play in performance with the thematic issues under discussion. The visual variations on the statue scene are especially welcome and will be a boon in the classroom. Finally, although it has become fashionable in recent years for critics, editors, and directors to darken the ending, this edition opts for ambiguity rather than pessimism and seems truer to The Winter's Tale's hybrid, tragicomic spirit as a result."
-Studies in English Literature, Spring 2008
From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Anne Boleyn comes Alive
By Linda Rader
In the Winter's Tale Shakespeare "rewrites" the tragedy of Anne Boleyn. In the play Sicilia's Queen Hermione is accused of adultry just as Queen Anne was in England a generation before. Like Boleyn, this queen too is imprisoned, tried in public and found guilty. Then the king's son by Hermione dies depriving the king of his male heir. (In Anne Boleyn's case the son was stillborn.) Hermione is now pregnant with a second child, a daughter that the king disavows is his and sends the child to her death. (In real life Anne Boleyn's daughter was Elizabeth who lived in the shadow of her younger half-brother Edward and in fear of her older half-sister Mary.) But there is a twist in Shakespeare's telling of this familiar-to-his-audience family tragedy. In the play, Hermione, the queen, is not executed but goes into hiding. 16 years later the Sicilian King repents his behavior. Their abandoned daughter, Perdita, is found to be alive after all, living in Bohemia and is reunited with her father. But that's not the best reunion.The play is worth it for the final scene, when Hermione, pretending to be her own statue, being admired by the King and daughter Perdita, suddenly "comes to life" and steps off the pedestal. In the end mother and daughter are reunited, a magical ending that death had denied to Queen Elizabeth and Anne Boleyn. The irony of history is that the legacy of Henry VIII was carried on not by his son by Jane Seymour, not by his catholic daughter Mary, but by the daughter of executed Anne Boleyn, the feisty Queen Elizabeth I. In the Winter's Tale, Shakespeare is giving Anne Boleyn and Queen Elizabeth the last laugh.
0 of 0 people found the following review helpful.
Fantastically fantastic!!
By Dutch
This is one of Shakespeare's most enigmatic and complex plays and is an overall great read!! This resists categorization as either a comedy and instead is considered to be a romance, having been written towards the end of Shakespeare's life. It's as fantastical as "The Tempest," as bitter as "King Lear" and as gratifying as "Much Ado About Nothing" all at once. It includes the usual Shakespearian staples of kings and cuckoldry but also includes some unexpected elements such as an oracle from Apollo, the appearance of Time as a character and even a bear chase!! I don't want to spoil anyone's fun by revealing any of the essential plot details but, suffice it say, you will not be disappointed- it is a truly enthralling read!!
0 of 0 people found the following review helpful.
Five Stars
By Green Dog
It's SHAKESPEAR! What can I say??
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