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At first glance, Shakespeare’s early comedy Love’s Labor’s Lost simply entertains and amuses. Four young men (one of them a king) withdraw from the world for three years, taking an oath that they will have nothing to do with women. The King of Navarre soon learns, however, that the Princess of France and her ladies are about to arrive. Although he lodges them outside of his court, all four men fall in love with the ladies, abandoning their oaths and setting out to win their hands.
The laughter triggered by this story is augmented by subplots involving a braggart soldier, a clever page, illiterate servants, a parson, a schoolmaster, and a constable so dull that he is named Dull. Letters and poems are misdelivered, confessions are overheard, entertainments are presented, and language is played with, and misused, by the ignorant and learned alike.
At a deeper level, Love’s Labor’s Lost also teases the mind. The men begin with the premise that women either are seductresses or goddesses. The play soon makes it clear, however, that the reality of male-female relations is different. That women are not identical to men’s images of them is a common theme in Shakespeare’s plays. In Love’s Labor’s Lost it receives one of its most pressing examinations.
The authoritative edition of Love's Labor's Lost from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play’s famous lines and phrases
-An introduction to reading Shakespeare’s language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books
-An annotated guide to further reading
Essay by William C. Carroll
The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
- Sales Rank: #330594 in eBooks
- Published on: 2016-03-15
- Released on: 2016-03-15
- Format: Kindle eBook
About the Author
William Shakespeare
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.
Barbara A. Mowat
Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.
Most helpful customer reviews
4 of 4 people found the following review helpful.
a fun early comedy
By NotATameLion
One of Shakespeare's earlier comedies, "Love's Labour's Lost" does not even hold a candle to some of the Bard's greatest comedic works (A Midsummer Night's Dream, The Tempest, The Winter's Tale). Yet, for all its lack of blazing greatness, the play is indeed a joyful diversion.
The plot is that of a philosopher's paradise being invaded by the most nefarious of things...love.
Shakespeare means many things when he speaks of love: often it can be shallow, bawdy lecherous love, sometimes it is an almost Petrachan yearning "courtly" love, once in a while it is a self destructive, clasping, obsessive love. Here it is pretty much straight-up attraction of the "hey, I'd like to marry you" variety.
As the noble, well-meaning but unable to restrain themselves philosopher's fall for the beauties of this tale, many awkward situations occur. Much of the humor here is of this vein. Plays on words and outrageous situations provide most of the laughs.
For fans of Shakespeare, I wholeheartedly endorse this great play. For beginners, I recommend starting with one of the plays mentioned above.
8 of 11 people found the following review helpful.
A Light Comedy; A Timely Message; A Heavy Hand
By Ralph White
The Folger Library editions are absolutely the best for scholarship, due to their extensive notation. My preference for Love's Labor's Lost is for the Pelican Books version, with sufficient but abreviated notation. The lighter notation gives wings to Shakespeare's most ponderous romantic comedy.
This is the story of three gentlemen who pledge themselves to three years of intellectual rigor in the court of the King of Navarre, who joins them in their sober enterprise. When the four of them determine that their scholarship must not be interupted by vice, the reader readily understands that their ill-considered commitments can only end in ribald hippocracy. Temptation arrives immediately in the form of the Princess of France and her three ladies in waiting.
The story moves along more or less predictably, though in a style that is almost a parody of Shakespeare. There are scores of allusions, silly, bawdy, and sharp, which apparently would have been recognized by the audience of the time, but which have not travelled well through the intervening four centuries. The result is five acts of mostly turgid iambic pentameter, interrupted by some lilting, if not particularly memorable lines. Such as when Dumaine and Berone start and finish one another's thoughts:
Dumaine: In reason nothing.
Berone: Something then in rhyme.
Dumaine: How follows that?
Berone: Fit in his place and time.
And here are some usages and allusions which you might need to pause to look up:
"misprision" = error
"woodcock" = stupidity
"festinately" = quickly
"dig you den" = give you good evening
"intellect" = purport
"jerks of invention" = strokes of wit
"in print" = to the letter
One of the few lines for which the book is known is, "Where fair is not, praise cannot mend the brow," meaning that compliments cannot make an unattractive person less so.
All in all, Love's Labor's Lost is unlikely to become anyone's favorite Shakespearean comedy. It is for the advanced reader who is willing to take the time to penetrate the subliminal and archaic humor. For that dedicated reader, however, it is worth the effort.
4 of 5 people found the following review helpful.
Difficult, But A Worthy Study.
By Sean Ares Hirsch
Be forewarned. Even if you have read a lot of Shakespeare's plays, this one is difficult and demands much effort to follow. But, if you can push yourself into reading this, it is well worth the time. Shakespeare himself performed the role of Berowne. While this is a comedy, the humour relies on irony as opposed to funny events. Also, unlike his other comedies, this one does not end in utter happieness. The interaction of the characters, as well as the situation comedy (especially in 4.3) is quite memorable. This comedy differs significantly from most of his others, but it is a wonderful piece of literature.
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